One client at a time.
Never more than one appointment in the studio. You'll have my sole focus from when you walk in to when you leave.
25 years behind the chair. The last six of them in this studio.
I started hairdressing straight out of school, and twenty-five years on, the industry has taken me through almost every part of it.
I've been a master stylist training apprentices, trained as a makeup artist, managed a salon, taught hairdressing students, run in-salon education for premium product brands, and spent years as a rep for high-end salon brands. And now I run my own private studio.
I love this industry. I love it more, even, for what it lets me do for the people in my chair. Hair changes how a person feels about themselves, and getting to be part of that — especially for someone who hasn't felt good about their hair in a long time — is the part of the job that's never stopped meaning something.
Over the years, my work has narrowed to two things I do especially well: beautiful colour, and discreet hair-loss support. Both are slow, detailed, and deeply personal to the client. Neither of them belong in a loud, busy, shared salon.
"Getting to be part of that has never stopped meaning something."
— Hayley KnottI opened Edit. because I wanted to work the way I believe hair should be done: one client at a time, unhurried, private. It turned out to be particularly important for my hair-loss clients — a lot of them are nervous about anyone seeing them without their topper on. At Edit. that never happens. It's just you and me.
Almost every role this industry has — and they all feed back into the chair.
Four things I commit to with every client. They're the reason I run a private studio in the first place.
Never more than one appointment in the studio. You'll have my sole focus from when you walk in to when you leave.
For anything new — colour, a topper, extensions — we talk first. No surprises, no pressure. Free, in-studio or by video.
I'll tell you honestly what will and won't suit you, even if that means recommending you go elsewhere. You're not paying me to flatter you.
The things I use and recommend are the things I'd use on my own hair. I'd rather sell less and have you trust me than the other way around.
Small, calm, private. A bold protea wallpaper, a leather chair, a real monstera, and a kettle that's nearly always on.
A short, human paragraph about who Hayley is when she's not in the studio — hobbies, family, what she'd be doing if she weren't doing this — will sit here once we've captured it on a 10-minute call. Personal-brand pages land harder when the owner's actual voice is in them.
If you'd like to book, or you're not sure yet and just want to ask a question, the easiest way is a quick email. I usually reply within 24 hours.